"Toni Erdmann", Monday, November 12 at 8:55 am on the Arena.
In a small German town, Winfried (Peter Simonischek), a debonair of a gray hair teacher, waits for the end of his career between his old dog and his mother who lived in old age. This indwelling, now envied in a state of hardened unfaithfulness, deplores the boredom of the child's joke. One day her daughter, Ines (Sandra Hüller), meets shortly before returning to Romania where she has a demanding position as a consultant for a large business consultancy company. She took her dog's dog, Winfried decided to join her.
An intimate chronicle on the background of social criticism
A pragmatic, dirigent, in a hurry, jealous of what he believes is her freedom, the girl hiding this awkward father at home and imagine sending him quickly to the airport. Here he goes and comes back, mixing with his colleagues and friends under fantastic identities, playing a luxury coach for president and even an ambassador. Thanks to its denture and an incredible wig, it is presented with the air under the name Toni Erdmann …
The success of the film lies in the fragile alchemy, almost miraculous, crazy humor, where sensitive and absurd reeds, but also deep issues that appear, not without modesty, in the exchange of father and girl. Intimate chronicle on the background of social criticism, Toni Erdmann (International Critics' Prize at the Cannes Film Festival in 2016). directed by young German filmmaker Maren Adeys, is a very coherent film despite its extraordinary tone, its fantasies, and sometimes its excuses. A "total" work that can stimulate contagious joy, dive into bitter poetry and turn your heart to simple issues that are neglected by our societies of enduring dangers. We are not close to forgetting these two great characters with such a contemporary vulnerability.
And during that time life continues