Mikhail Belchev celebrated for 50 years on stage with an exclusive concert in one of the National Palace's Palace halls. 4000 viewers, including vice-presidents of Ilija Yotova, Dimitar Glavcheva and Rumen Petkov, glittered Bulgaria's ballad and sang with him and his guests – pop and rock stars of several generations. Many mega-chitches Miche & # 39; s colleagues and friends took stormy ovations in their songs. It was also one of the great specs of spectacular spectacles – pedestrians that will be reborn to the authors of verses and songs that will forever remain in the history of the original pop culture. This is one of the personal causes and missions of Mikhail Belchev, who has long served in the temple of national values. Everyone commented that only a person and artist with the tribe and wisdom of Misho could be the soul and the engine of such an impressive and varied event that encoded respect for the other talents – away from any nuances of unhealthy competition. It is no accident that all the Mouse guests thanked him for their hearts, the younger ones leaned in front of him, and Toni Dimitrova called him "the wizard of the word". Maestro sang some of his greatest hits, including the unofficial "Boulevard", "Youtube goes", "Do not grow old, love". He then made an excellent quartet with three perfect guitarists – Valer Gradinarsky, Dr Georgi Denkov and Assen Maslarski – for songs from their youth with the first two of them. He told them they traveled throughout Bulgaria for endless shows and concerts. Misho returned to the very beginning of his glamorous career when in 1968 he began to become more famous, performing poems in his works and notes by Naiden Andreev, with whom he was a member of the Mining and Geology Institute and celebrities at the local Bees. The unique duet was held under the spotlight – Mikhail and Konstantin Belchev sang Naiden Andreev and Stefan Tsanev, "We can have a lot of women." Kosyo is an excellent and very artistic partner of his famous father, and later comes out with his band with Akaz Agassjan and with a special participation of Stundi. Kristina Belcheva did not receive any less applause from her people. The beautiful actress raised the voice for the acapella and took the public's jokes. It respects the songs by Misho Belchev and his colleague Silvia Lulcheva, and then takes a microphone to fill their husbands' common pants with their husbands, which music lovers are always eagerly awaiting for their heart. Among them, of course, was the song in which Misho Belchev talks about how he met a very young and beautiful Christine at the New Year in Snow in Sofia. Heagachod Agassjan devoted his first wife Marie to celebrate 31 years of marriage and the other Belchev, to whom she and her husband married her church marriage. Stefan Dimitrov, who created the music of dozens of greatest hits in Misch's guild, made a mini mono show in his favorite French style. Bogdana Karadocheva joined him for "I do not care about me" – Spouses for decades are also Belchev's family friends: "I am the longest with Misha from here, we are together," the composer said. People welcomed and sent swords to Vasil Naydenov, Silvia Katsarova, Yordana Karadzhova, Tonija Dimitrova, Stefan Diomov and Petograda, Nelly Rangelov, Ilija Angelov, Kamelia Todorova, Milica Bozhinova, Etienne Levy and Trick, Gina Ivanov, Bogdan Tomov, Kiril Kalev company Nasko Penev from BTR … Three Gramophones congratulated the diploma of the Cherkas Academy of Art in St. Petersburg Belchev with "Your Economy, Mrs. Udach". Vlado Penev has done something unexpected and great – "Mípaj" in Kpactiyan Buyadzhieva and Misho's ctixo. Some time ago this was the last land statement by Jocel Pocica. Bard ended up with "B Polymie" at Cepan Dimitz's stage – one of his ballads of incredibly powerful words and philosophy. At the end of the year 4000, they went on to sing with Veselin Marin's "For You, Bulgaria" – the second unofficial hymn accompanies Misho with the music of unforgettable Tonch Russis. Niki Aprilov was leading the big show. On the huge video wall, there were spectacular clips that were "tied up" by plotting on the scene and its characters.