Wednesday , June 23 2021

Copyright collection: Morocco in the world Top 50



Infomédiaire Morocco – Moroccan copyright collections rose by 498 percent to 5.4 million in 2017, and the country is the third in Africa and 49 in the world, according to the Global Collectibular Report 2018, "the International Confederation of Authors' and composer (CISAC).

The legal framework in Morocco has spurred a strong rise in revenue creators who reached 4.2m euros in 2017, putting the country to second place on the African continent, according to a report analyzing data from 239 authorships in 121 countries.

Thanks to the implementation of the law-based fee system, private copying became the first source of income in Morocco (78.2%), which multiplied its collections from six to less than a year. years.

As for the music rights collection, they increased by 567%, making the contribution of Morocco's collections to Africa reach 7.8%, CISAC says, pointing out that African businesses have raised 75m euros in 2017, an increase of 15.7%.

At a global level, the rights raised for creators of all repertoires, namely music, audiovisual, visual arts, live performances and literature, reached a record of 9.6 billion euros in 2017, an increase of 6.2% over the previous year.

Revenues from digital exploitation of works were recorded for the first time in relation to a billion euros and show an increase of 24.0%, pointing to the same source, pointing out that these revenues were almost triple (+ 166%) in five years "thanks to the growth of electricity at all and , in recent times, the growing success of video streaming. "

As far as the music repertoire is concerned, his collections reached 8.3 billion euros (+ 6.0%), with digital revenues for the first time running a billion euros.

Despite the rise in digital revenues in all directories to 1.27 billion euros, the sector still generates sums significantly lower than television and radio broadcasts and direct category (live) and atmospheres.

In addition, only 13% of creator revenue comes from digital (compared to 11% in 2016), "which reflects the incredible gap between the amount of content available on the network and the amounts back to the creators," the Confederation said.

In the fifth consecutive year, creator revenue is increasing in all repertoires, robust revenue growth from TV and radio suggests that the rise of digital data does not currently affect traditional revenue streams.

CISAC was established in 1926 as a non-profit non-profit organization based in France and regional offices in Africa, Latin America, Asia and the Pacific and Europe, which works to protect the rights and representation of interests. creators from all over the world.

CISAC is the world's leading copyright company and represents more than four million creators from all regions and directories.

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