Sunday , June 20 2021

5 common mistakes of new directors (and how to avoid them)

Sometimes it is better to learn from the mistakes of others than from their own.

As it is with anything, your first years of directing will be a bit corny, making mistakes to the right and to the left rather large, disordered and even embarrassing. However, you have the chance to do much less than they do, that is, if you know what they are and how to avoid them. In this video, Jay P. Morgan of Slanted Lens teams up with filmmaker Kenneth Merrill to review some of the most common mistakes that beginner filmmakers make when they start filming, as well as what you can do to make sure you do not fall into the same traps. Take a look below:

Ok, so the art of filmmaking is full of opportunities to make a misstep, so suffice it to say that this small list barely scratches the surface on what to expect when it starts. However does give you a good idea of ​​the types of techniques and concepts that often go unnoticed by beginners, from camera movement to sound recording.

Let's move quickly to the suggestions that Morgan and Merrill talk about in the video:

  • Do not move the camera: "Put the camera on the stand." It could be the mantra of every Filmmaking 101 instructor in the universe, but 1.) they just say that, since they're pretty tired of watching a horrible hands-free job, and 2.) that it will not always be the best option to tell your visual story. Discover different ways to move the camera, including your handheld, using sliders, trolleys, mini-jibs and anything else you have at your fingertips. So, educate yourself on the visual significance of these moves.
  • To neglect the sound: Sound is often more important than images. Do not make the mistake of being unintentional or careless with the way you record the audio, because if your audience can not stand listening to your buzzing, buzzing, noisy buzzing sound, then they will not be yours anymore. public.
  • Excessive use of depth of field: I know the bokeh looks nice, but is it right for your shot? What I mean? Well, the implicit depth of field implies that what is in focus is very, very important. If it is not, at least in any particular way, then you may want to think about deepening that focus.
  • I do not receive enough coverage: Do not shoot all the friends, my friends! Shooting size is an incredibly important aspect of cinema, so make sure you have enough coverage so your publisher has enough resources to work. Here is a coverage technique that you can try.
  • No history: History is king. If you do not have one, do not worry about eliminating your equipment.

There are so many horrible mistakes you'll do as a beginner, devil filmmaker, you're stopping making some (and some new) like a veteran! What is the mistake you want to warn the new directors? Let us know in the comments.

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